I like eyes a lot. Very often in a good street photography you got that look straight into your lens. But sometimes peoples looks tells a lot too. And they’re great to establish projections and directions in a pic.
Shared is doubled joy.
Silly or not, I’m glad that someone else like to share my pics. Sometimes (on Instagram) I add the hashtag #Shootoff and some of those pics get shared. These are the latest nine pics that got shared by Shootoff. And my normal 20-40 likes/pic add upp to a little more. Nice.
Can you guess which of these nine that got the highest acclaim?
Yup, thats the one. “Thru it all”, botton middle…
Destined to go somewhere.
Faces, eyes and directions might be my favourite motifs. Looking for them, my first priority. Here’s one look at it…
The no-nos of street photography.
There are a whole set of unwritten “laws” in street photography. Me and my friend Daniel Eliasson frankly claims that all these rules sometimes must be broken. It’s the image itself that must decide whether you break the rules or not…
Rule 1: You must take pictures close up and with wide angle lenses.
“Through It All” – taken with a zoom 105 mm lens at a distance:
Rule 2: Street photos are best in black and white.
“On The Move” – It’s the colours that makes this kind of pic:
Rule 3: The sharp picture is the only accepted one.
“Scared Dog” – to be in a scary place, feels unsharp, right?
Rule 4. You should always take frontal pictures of people.
“Finding Angles” – Sometimes a butt is more interesting:
“Luncheon Profiles” – profiles are not frontal, are they?
Rule 5. You shouldn’t as a street photographer be seen.
“iPad Break” – to get depth in this “Through window” shot, I let the ghostly image of myself appear:
Rule 6. The composition of the original pic shouldn’t be altered.
“Over Shoulder” – the original shot:
“Over Shoulder” – cropped, to get the effect of “dominating eye”:
These are just a few of the unwritten “rules”, there are some more. They are good to know, but don’t worry to much. Ok?
Alone in the crowd?
To be one of many, doesn’t necessarily mean together.
Passing on a train.
I had just stepped out the train and turned my lens back again. Moments before the train took of she looked at me. And I took this pic. Eyes are always the difference.
In the Tube.
She saw me standing there, as her train picked up speed. No words, no thoughts – just her eyes.