My Project Time is change (#TIC)is slowly picking up speed. Now there’s a page in my portfolio/project section on this site, where you can check it out. #TIC is at the moment (sic) what broods my mind the most, so I’ll soon update with more pics.
Whenever I walk the streets, I look a lot for people in all shapes and of all kinds of action. Well aware that my presence alone manipulates reality (as it should be), I really don’t believe inte the so-called paradigm of candid street photography: “To not interact or influence what’s happening.”
You can read more about my stand on this with “rules” in street photography here (click). That said, Ive seen how the interaction between photographer and motif results in moments that change over time. Because time is change.
To me, street photography has a documentary notion. And you just don’t manipulate the pic, the moment when it was taken.
I’ve gotten sidetracked in one specific way, and thats in what I call the Artsy project. On a page/portfolio on this site you can see some of the results. And, as you might see, it all starts with one of my street pics. Click here to see them.
Well. To be frank, some of the fingers weren’t that bad. Some I deserved, all I strangely like. I kind of naïvely smile in the depth of my people-loving mind…
Not all pics I took, just some. I’m not finished with all the nice pics from Lisbon a month ago, so I’ll add a few more later on but still, here is a start… (click).
I’m passionate about my street photography. But also try not to be possessive of knowledge or claiming I have enough knowledge. One of the great goals in my life is to constantly learn and to help others. It’s a feel good thing, really.
With my good friend and fellow street photographer Daniel Eliasson, I’ve written a basic course in street photography. The first course/work shop was in Swedish, but less than a year ago I translated the course into English.
We claim that street photography is a great discipline for learning more about your own way of taking pictures, of your camera(s) and of others in the urban environment. And – tada – this bit-sized course is totally free. Why don’t you try it too?
I’ve said it before and I’ll probably say it again. This bit with smartphones is to a street photographer both irritating and nice.
It’s easier to take a pic as people don’t see you immediately and also the blueish light from the screens help to light up their faces. But. It’s getting harder to get that magic look straight into my camera these days…
I like eyes a lot. Very often in a good street photography you got that look straight into your lens. But sometimes peoples looks tells a lot too. And they’re great to establish projections and directions in a pic.
Next up of my Street Photography friends is Daniel Eliasson, the man behind “Streetpeople.se”. We’ve done some collaborations, even if I consider him slightly more experienced as a photographer than I am. He’s a fun guy, the perfect company as you browse night life in a larger city…
Why are you crying my friend?
Daniel and I wrote the original Street photography course at “Daily Bits of”, the version in Swedish. That was a great experience as we tried to pin down the pure basic elements of how to approach photography on the streets. Today there’s also an English version, that I wrote myself out of our mutual work.
Anyway, Daniel is a really good photographer, that’s already have had several workshops and exhibitions. Here are just a few examples of his storytelling.
Botten upp (Bottoms up)
Doften av ditt hår (The scent of your hair)
Ballongpappan och retstickorna (Balloon dad and the rascals)
All photos on this page: Daniel Eliasson.
In his own words: “I try to capture beautiful moments. Snapshots of life and social interactions between people. When I shoot street photos, I always look for the extraordinary. Something that sticks out from the regular. After 15 years, I still chase the perfect photo. I doubt it will ever come, but that’s what drives and motivates me; the hunt for the perfect street photography.”